Published on October 09, 2008 The powerful image of the successful male seducer may seem outmoded in the post-feminist age, but in Mozart's time such a fellow was both admired and feared, hence making him a ripe figure to star in an opera. John Hoomes, director of Nashville Opera's new production, dubs Don Giovanni "one of the most perfect operas ever written," and here he offers it to us on the grand scale, featuring a cinematic style of presentation and innovative settings courtesy of scenic designer Kris Stone. The character of Don Giovanni may mock society, but he stirs the pot too, and it’s no surprise that Mozart found him a delicious subject and fine inspiration for solos, trios and ensemble pieces...
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