Dorian Gray, King's Theatre, EdinburghMortal Engine, Playhouse, EdinburghSteve Reich Evening,...

Matthew Bourne's ballet of Oscar Wilde's novella falls down on too many levels Beauty, said Oscar Wilde in The Picture of Dorian Gray, ends where intellectual expression begins. In which case Matthew Bourne's version of the story can be relished to the end. Certainly there can hardly be a better potential Dorian than Richard Winsor, with his easy feline grace and poutingly cruel, pugilistic-angel features.... [read full story]