From 1990 to 1993, Kevin Eastman's Tundra Publishing bought dozens of high-profile works for dollar amounts temporarily inflated by a Jim Shooter-primed and then early Image-lubed comics market, opened offices with people and family members collecting comfortable salaries, paid five-figure sums for comics that never got turned in, initially offered contracts that gave creators 80 percent of the net profits, made pledges to buy original art in order to better support the creative people involved, published around 60 or so high-end color comics and a bunch of high-end graphic novels including some with all the market momentum of a Jon Jost movie at the Des Moines Cinemark14, opened up an office in the United Kingdom, bought a music studio, invested in a pre-press company, paid for its employees to travel (I also hear stories...
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