A Window

Oct 23, 2009
 

Birmingham Rep "There's no such thing as society," Maggie Thatcher declared; for the characters in Edward Bond's latest play – staged in Birmingham Rep's studio theatre, The Door – that does seem to be the case. They are damaged by the wilderness beyond their front door, and yet strangely disconnected from it. A glancing reference to the neighbours aside, it is as if the outside world has turned its back on them. They are broken people, haunted by nightmares. This is not easy viewing – and for a play about seeing clearly versus turning a blind eye, that is as it should be. Bond introduces us to a man and a woman whose tenuous relationship – based not on love, but on sex and economic dependence – is destroyed when the woman gets pregnant. Deserted by the man, and haunted by the story of a mother who loves... [read full story]                    

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