Director Kathryn Bigelow doesn't do 'chick flicks,' but powerful 'masculine' movies, such as her dark new film set during the Iraq war. Manohla Dargis hears why Published Date: 25 June 2009 Kathryn Bigelow, right, and on the set of her latest movie The Hurt Locker, above left. The director's impressive filmography includes her 1987 debut Near Dark, inset, the Jamie Lee Curtis vehicle Blue Steel, left, and, of course, The Hurt Locker, above THE take on Kathryn Bigelow is that she is a great female director of muscular action movies – the kind with big guns, big scenes, big themes and big camera movements, as well as an occasional fist in the face, or a knee to the groin. Sometimes, more simply, she's called a great female director. But here's a radical thought: she is, simply, a great filmmaker. Because, while it is...
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